{"id":5021,"date":"2026-04-04T02:51:17","date_gmt":"2026-04-04T00:51:17","guid":{"rendered":"https:\/\/reparationmac.be\/?p=5021"},"modified":"2026-04-05T13:08:51","modified_gmt":"2026-04-05T11:08:51","slug":"optimize-mac-for-video-editing","status":"publish","type":"post","link":"https:\/\/reparationmac.be\/en\/optimiser-mac-montage-video\/","title":{"rendered":"Video editing: optimising your Mac"},"content":{"rendered":"<div class=\"article-blog\">\n\n<h1>Optimising your Mac for video editing: the complete guide to maximum performance<\/h1>\n\n<div class=\"article-meta\">Reading : 14 min | Upgrades and Optimisation<\/div>\n\n<img fetchpriority=\"high\" decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/04\/optimiser-mac-montage-video.webp\" alt=\"Optimising your Mac for video editing with the right settings and upgrades\" title=\"Complete guide to optimising your Mac for video editing\" width=\"1200\" height=\"568\" loading=\"eager\">\n\n<div class=\"answer-box\">\nTo sum up: to optimise your Mac for video editing, start by freeing up disk space (minimum 20 % free), use a fast external SSD for your rushes, close background-intensive applications, configure caches and proxy files correctly in your editing software, and consider a hardware upgrade (RAM and SSD) if your model allows it. On Apple Silicon, take advantage of native hardware acceleration using ProRes and HEVC codecs.\n<\/div>\n\n<div class=\"toc-box\">\n<strong>Contents<\/strong>\n<ul>\n<li><a href=\"#prerequis\">Hardware requirements for video editing on the Mac<\/a><\/li>\n<li><a href=\"#espace-disque\">Optimising disk space and storage<\/a><\/li>\n<li><a href=\"#logiciels\">Software settings for Final Cut Pro and DaVinci Resolve<\/a><\/li>\n<li><a href=\"#proxys\">Proxy files and optimised workflows<\/a><\/li>\n<li><a href=\"#systeme\">macOS settings for performance<\/a><\/li>\n<li><a href=\"#upgrades\">Recommended hardware upgrades<\/a><\/li>\n<li><a href=\"#apple-silicon\">Taking advantage of Apple Silicon for assembly<\/a><\/li>\n<li><a href=\"#faq\">Frequently asked questions<\/a><\/li>\n<\/ul>\n<\/div>\n\n<h2 id=\"prerequis\">Hardware requirements for video editing on the Mac<\/h2>\n\n<p>Video editing is one of the most demanding tasks you can ask of a Mac. Every component is called upon: the processor decodes and encodes video streams, the GPU manages effects and previews in real time, RAM stores images in memory for instant access, and storage has to keep up with considerable data rates - a 4K ProRes HQ stream represents around 110 MB\/s continuously.<\/p>\n\n<p>Before optimising anything, you need to know what your machine is capable of. Here are the recommendations, depending on the working resolution.<\/p>\n\n<table class=\"tg-table\">\n<thead>\n<tr>\n<th>Resolution<\/th>\n<th>Minimum RAM<\/th>\n<th>Recommended storage<\/th>\n<th>Recommended processor<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><span class=\"cell-label\">1080p (Full HD)<\/span><\/td>\n<td><span class=\"cell-desc\">8 GB (16 GB recommended)<\/span><\/td>\n<td><span class=\"cell-desc\">Internal or external USB 3 SSD<\/span><\/td>\n<td><span class=\"cell-desc\">Any recent Mac (last 5 years)<\/span><\/td>\n<\/tr>\n<tr>\n<td><span class=\"cell-label\">4K<\/span><\/td>\n<td><span class=\"cell-desc\">16 GB (32 GB recommended)<\/span><\/td>\n<td><span class=\"cell-desc\">External NVMe SSD (Thunderbolt or USB4)<\/span><\/td>\n<td><span class=\"cell-desc\">M1 Pro and above, or recent Intel i7\/i9<\/span><\/td>\n<\/tr>\n<tr>\n<td><span class=\"cell-label\">6K \/ 8K<\/span><\/td>\n<td><span class=\"cell-desc\">64 GB minimum<\/span><\/td>\n<td><span class=\"cell-desc\">Thunderbolt SSD RAID<\/span><\/td>\n<td><span class=\"cell-desc\">M2 Max\/Ultra or Mac Pro<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n<p>To check your Mac's specifications, click Apple \u2192 About this Mac. If you're not sure of your exact model, our <a href=\"\/en\/identify-your-mac\/\">Mac identification tool<\/a> gives you all the technical information you need in just a few clicks.<\/p>\n\n<h2 id=\"espace-disque\">Optimising disk space and storage<\/h2>\n\n<p>Storage is the number one limiting factor in video editing. A 10-minute 4K project can easily take up 50 to 100 GB of raw rushes, plus render files, caches and exports. A nearly full disk will drastically slow down macOS and your editing software.<\/p>\n\n<h3>The 20 % rule<\/h3>\n\n<p>Always keep at least 20 % of your internal disk free. macOS uses free space for swap (virtual memory), temporary files and caches. Below this threshold, performance drops sharply. If your Mac is cluttered, our guide <a href=\"\/en\/clean-up-mac-free-up-space\/\">cleaning your Mac<\/a> helps you reclaim space quickly.<\/p>\n\n<h3>Working on an external disk<\/h3>\n\n<p>Professional practice consists of storing rushes and projects on a dedicated external drive, leaving the internal drive for the system and applications. This has several advantages: your internal drive remains fast, projects are portable (you can work on another Mac), and back-up is simplified.<\/p>\n\n<table class=\"tg-table\">\n<thead>\n<tr>\n<th>Type of external drive<\/th>\n<th>Actual flow<\/th>\n<th>Enough to<\/th>\n<th>Indicative budget (1 TB)<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><span class=\"cell-label\">USB 3.2 Gen 2 SSD<\/span><\/td>\n<td><span class=\"cell-desc\">800-900 Mb\/s<\/span><\/td>\n<td><span class=\"cell-desc\">1080p multi-track, 4K single<\/span><\/td>\n<td><span class=\"cell-desc\">80-120 \u20ac<\/span><\/td>\n<\/tr>\n<tr>\n<td><span class=\"cell-label\">Thunderbolt 3\/4 SSD<\/span><\/td>\n<td><span class=\"cell-desc\">2,500-2,800 Mb\/s<\/span><\/td>\n<td><span class=\"cell-desc\">4K multi-track, 6K<\/span><\/td>\n<td><span class=\"cell-desc\">200-350 \u20ac<\/span><\/td>\n<\/tr>\n<tr>\n<td><span class=\"cell-label\">USB4 SSD<\/span><\/td>\n<td><span class=\"cell-desc\">3 000-3 800 Mb\/s<\/span><\/td>\n<td><span class=\"cell-desc\">4K\/6K multi-track<\/span><\/td>\n<td><span class=\"cell-desc\">180-300 \u20ac<\/span><\/td>\n<\/tr>\n<tr>\n<td><span class=\"cell-label\">Thunderbolt SSD RAID<\/span><\/td>\n<td><span class=\"cell-desc\">5,000+ Mb\/s<\/span><\/td>\n<td><span class=\"cell-desc\">8K, demanding workflows<\/span><\/td>\n<td><span class=\"cell-desc\">800+ \u20ac<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n<div class=\"info-box tip\">\n<strong>Advice :<\/strong> To choose the right external SSD, consult our <a href=\"\/en\/best-mac-ssd-2026-test\/\">test of the best SSDs for Mac<\/a>. A Thunderbolt SSD is the most cost-effective investment for 4K editing - the difference in fluidity compared with a USB SSD is immediate.\n<\/div>\n\n<img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/04\/workflow-stockage-montage-video-mac.webp\" alt=\"Storage workflow diagram for video editing on the Mac\" title=\"Optimal storage organisation for video editing on the Mac\" width=\"1200\" height=\"568\" loading=\"lazy\">\n\n<h2 id=\"logiciels\">Software settings for Final Cut Pro and DaVinci Resolve<\/h2>\n\n<h3>Final Cut Pro<\/h3>\n\n<p>Final Cut Pro is the most optimised editing tool for the Mac, because Apple controls both the hardware and the software. A few settings maximise performance:<\/p>\n\n<ul>\n<li><strong>Location of the library :<\/strong> Move your Final Cut Pro library to a fast external SSD. Go to File \u2192 Move Library. This is the setting that has the greatest impact on fluidity.<\/li>\n<li><strong>Background rendering :<\/strong> activate it (Final Cut Pro \u2192 Settings \u2192 Playback \u2192 Background rendering). It pre-calculates the effects during your pauses.<\/li>\n<li><strong>Reading quality :<\/strong> switch to \u00abOptimal performance\u00bb rather than \u00abOptimal quality\u00bb during editing (menu Presentation \u2192 Playback quality). The final output will remain at full quality.<\/li>\n<li><strong>Proxy files :<\/strong> For 4K projects or higher, generate proxy files (see next section).<\/li>\n<\/ul>\n\n<h3>DaVinci Resolve<\/h3>\n\n<p>DaVinci Resolve is extremely powerful but more resource-hungry. Here are the essential optimisations:<\/p>\n\n<ul>\n<li><strong>Performance cache :<\/strong> DaVinci Resolve \u2192 Preferences \u2192 Media \u2192 Cache location. Point it to a fast SSD - never the system disk if possible.<\/li>\n<li><strong>GPU processing mode :<\/strong> in the project preferences, choose \u00abMetal\u00bb on the Mac (not OpenCL). Metal is Apple's native graphics API and offers the best performance on all recent Macs.<\/li>\n<li><strong>Timeline proxy :<\/strong> activate it in Playback \u2192 Timeline proxy mode. Resolve generates lightweight files for smooth playback.<\/li>\n<li><strong>Limiting Fusion nodes :<\/strong> Visual effects nodes in Fusion are extremely time-consuming. Apply them at the end of assembly rather than during the assembly phase.<\/li>\n<\/ul>\n\n<h2 id=\"proxys\">Proxy files and optimised workflows<\/h2>\n\n<p>Proxy files are the most effective optimisation technique for video editing, particularly on portable Macs or modest configurations. The principle is simple: you edit with lightweight files (proxies) and the final rendering uses the original files in full quality.<\/p>\n\n<h3>How proxies work<\/h3>\n\n<p>The editing software creates a lightweight copy of each source clip - typically in reduced resolution (1080p instead of 4K) and in a less demanding codec (ProRes Proxy or H.264). You edit, cut, splice and add effects to these lightweight files. At the final export stage, the software automatically replaces the proxies with the originals. The result is identical, but the editing process is infinitely smoother.<\/p>\n\n<h3>When to use proxies<\/h3>\n\n<ul>\n<li>Rushs in 4K or higher on a Mac with 8 or 16 GB RAM.<\/li>\n<li>Codecs that are demanding to decode (H.265\/HEVC, camera RAW formats).<\/li>\n<li>Multi-camera editing (multicam) with more than 2 simultaneous angles.<\/li>\n<li>Long timeline (over 30 minutes) with lots of effects.<\/li>\n<\/ul>\n\n<div class=\"info-box tip\">\n<strong>Pro tip :<\/strong> convert your rushes to ProRes 422 LT or ProRes Proxy before you start editing, especially if your source files are in H.264 or H.265. These compressed codecs are efficient for storage but very demanding to decode in real time. ProRes is optimised for editing: its decoding is much less intensive for the processor.\n<\/div>\n\n<h2 id=\"systeme\">macOS settings for performance<\/h2>\n\n<p>A few tweaks to macOS can free up significant resources for video editing.<\/p>\n\n<h3>Close power-hungry applications<\/h3>\n\n<p>Before an editing session, close everything that consumes RAM and CPU in the background: browsers with lots of tabs (Chrome is particularly greedy), email applications, cloud synchronisation software (Dropbox, Google Drive), and Notification Centre widgets. To see how much each process consumes, open the <strong>Activity monitor<\/strong> (Applications \u2192 Utilities) and sort by CPU or Memory.<\/p>\n\n<h3>Deactivate visual functions<\/h3>\n\n<p>Visual effects in macOS consume GPU resources. Go to System Settings \u2192 Accessibility \u2192 Display and enable <strong>\u00abReducing entertainment\u00bb<\/strong>. It's not miraculous, but every percentage of GPU recovered counts when editing with real-time effects.<\/p>\n\n<h3>Energy management<\/h3>\n\n<p>On a MacBook, always connect the charger during assembly. macOS throttles battery performance to preserve battery life. In System Settings \u2192 Battery \u2192 Options, deactivate <strong>\u00abAutomatic energy-saving mode\u00bb<\/strong> during your intensive editing sessions.<\/p>\n\n<h3>Spotlight and indexing<\/h3>\n\n<p>If you plug in a new external drive containing hundreds of gigabytes of rushes, Spotlight will attempt to index everything, which consumes CPU and disk. Add your rush disk to Spotlight exclusions: System Settings \u2192 Spotlight (or Siri and Spotlight) \u2192 Privacy \u2192 add volume.<\/p>\n\n<h2 id=\"upgrades\">Recommended hardware upgrades<\/h2>\n\n<p>If software optimisation isn't enough, a hardware upgrade can radically transform the editing experience on Macs that support it.<\/p>\n\n<h3>SSD Upgrade<\/h3>\n\n<p>If your Mac still has a mechanical hard drive (common on pre-2013 iMacs and MacBook Pros), replacing it with an SSD is the best possible upgrade. The gains are spectacular: boot-up in seconds instead of minutes, instant launch of applications, smooth playback of video files. See our <a href=\"\/en\/choose-install-mac-ssd-guide\/\">Mac SSD upgrade guide<\/a> for compatible models and procedure.<\/p>\n\n<h3>RAM upgrade<\/h3>\n\n<p>More RAM means more clips in memory, more real-time effects and less need for disk swap. On compatible models (iMac 27\u2033 2012-2020, Mac mini 2012, MacBook Pro pre-2013, Mac Pro), going to 16 or 32 GB makes a considerable difference to editing. Our <a href=\"\/en\/add-memory-to-mac-guide\/\">Mac RAM upgrade guide<\/a> details the specifications for each model.<\/p>\n\n<h3>eGPU (Intel Mac only)<\/h3>\n\n<p>Intel Macs with Thunderbolt 3 support eGPU (external GPU) boxes. An AMD Radeon eGPU significantly accelerates real-time rendering and playback in DaVinci Resolve. This option is not available on Apple Silicon Macs, whose integrated GPU is generally sufficient.<\/p>\n\n<img decoding=\"async\" src=\"\/wp-content\/uploads\/2026\/04\/upgrades-mac-montage-video-ssd-ram.webp\" alt=\"Recommended hardware upgrades for video editing on the Mac\" title=\"SSD, RAM and eGPU: upgrades for video editing\" width=\"1200\" height=\"568\" loading=\"lazy\">\n\n<h2 id=\"apple-silicon\">Taking advantage of Apple Silicon for assembly<\/h2>\n\n<p>Apple Silicon chips have fundamentally changed video editing on the Mac. Their architecture incorporates hardware engines dedicated to video decoding and encoding (Media Engine), capable of processing several 4K and 8K ProRes streams simultaneously without using the main CPU.<\/p>\n\n<h3>Codecs to choose<\/h3>\n\n<p>At Apple Silicon, ProRes and HEVC (H.265) codecs benefit from full hardware acceleration. In concrete terms, a MacBook Pro with an M1 Pro chip or higher can play back several 4K ProRes streams simultaneously without any jerkiness - a feat that required a \u20ac10,000 Mac Pro a few years ago.<\/p>\n\n<p>On the other hand, the H.264 codec - which is still very widespread - is partially hardware-accelerated but remains more demanding to decode. If your rushes are in H.264, conversion to ProRes before editing is still recommended for complex projects.<\/p>\n\n<h3>ProRes RAW<\/h3>\n\n<p>Final Cut Pro supports ProRes RAW natively on Apple Silicon, allowing you to edit camera RAW files with total control over exposure and white balance - without intermediate files and with smooth performance. If you work with cameras that record in ProRes RAW (Atomos, Nikon Z, etc.), this is a powerful workflow to explore.<\/p>\n\n<h3>Compressor and distributed rendering<\/h3>\n\n<p>Apple's Compressor application makes full use of Apple Silicon's hardware engines for final encoding. A 4K ProRes to H.265 export that used to take 45 minutes on an Intel Mac is often completed in 10 to 15 minutes on Apple Silicon - and the Mac remains usable during rendering thanks to the chip's energy efficiency.<\/p>\n\n<div class=\"info-box tip\">\n<strong>Good to know:<\/strong> if your current Mac no longer supports video editing and a hardware upgrade is not possible (soldered RAM, soldered SSD), it may be time to move to a newer machine. Our <a href=\"\/en\/mac-buyback-belgium\/\">Mac buyback<\/a> take back your old Mac at a fair price, and our team can advise you on the best performance\/price ratio for your use. To find out more about the video capabilities of different models, Apple publishes detailed data sheets in its <a href=\"https:\/\/support.apple.com\/fr-be\/111901\" rel=\"noopener\" target=\"_blank\">technical specifications for Apple chips<\/a>.\n<\/div>\n\n<h2 id=\"faq\">Frequently asked questions<\/h2>\n\n<div class=\"faq-section\">\n\n<div class=\"faq-item\">\n<div class=\"faq-question\"><span>Which Mac should you choose for video editing?<\/span><span class=\"faq-toggle\">+<\/span><\/div>\n<div class=\"faq-answer\"><p>For occasional 1080p editing, a MacBook Air with an M chip is all you need. For regular 4K, a MacBook Pro with a Pro chip (M1 Pro, M2 Pro, M3 Pro or higher) and 16GB of memory is the comfortable minimum. For 4K multicam or 6K\/8K, aim for a MacBook Pro Max\/Ultra or a Mac Studio with at least 32 GB. The choice also depends on portability: see our <a href=\"\/en\/macbook-air-vs-macbook-pro-comparison\/\">MacBook Air vs Pro comparison<\/a> to make up your mind.<\/p><\/div>\n<\/div>\n\n<div class=\"faq-item\">\n<div class=\"faq-question\"><span>Is 8 GB of RAM enough for video editing?<\/span><span class=\"faq-toggle\">+<\/span><\/div>\n<div class=\"faq-answer\"><p>For simple 1080p editing with Final Cut Pro, 8 GB of unified memory on Apple Silicon is usable. But as soon as you work in 4K, add effects or open other applications in parallel, the limits appear. For serious use, 16 GB is the recommended minimum, and 32 GB offers an appreciable margin of comfort.<\/p><\/div>\n<\/div>\n\n<div class=\"faq-item\">\n<div class=\"faq-question\"><span>Final Cut Pro or DaVinci Resolve: which performs better on the Mac?<\/span><span class=\"faq-toggle\">+<\/span><\/div>\n<div class=\"faq-answer\"><p>Final Cut Pro is more optimised for macOS because Apple has developed it specifically for its hardware. It makes better use of the hardware engines in Apple Silicon chips. DaVinci Resolve is more versatile (colour grading, visual effects, audio) but more resource-hungry. For a modest Mac, Final Cut Pro offers better raw performance.<\/p><\/div>\n<\/div>\n\n<div class=\"faq-item\">\n<div class=\"faq-question\"><span>How can I speed up video export on the Mac?<\/span><span class=\"faq-toggle\">+<\/span><\/div>\n<div class=\"faq-answer\"><p>Use hardware acceleration: in Final Cut Pro, export in ProRes or H.265 (HEVC) to take advantage of the Media Engine. Close all other applications while exporting. On Apple Silicon, the Compressor application offers even faster encoding than direct export. Avoid codecs without hardware acceleration (VP9, AV1 on certain models).<\/p><\/div>\n<\/div>\n\n<div class=\"faq-item\">\n<div class=\"faq-question\"><span>My Mac overheats during assembly, is this normal?<\/span><span class=\"faq-toggle\">+<\/span><\/div>\n<div class=\"faq-answer\"><p>An increase in temperature and fan speed is normal during video editing - it's a sign that the processor is working at full power. If your Mac shuts down or slows down excessively due to thermal throttling, it's a problem. Check that the air inlets are not blocked and consult our article <a href=\"\/en\/overheating-mac-fan\/\">Mac overheating<\/a> for solutions.<\/p><\/div>\n<\/div>\n\n<div class=\"faq-item\">\n<div class=\"faq-question\"><span>Which external disk format for video editing on the Mac?<\/span><span class=\"faq-toggle\">+<\/span><\/div>\n<div class=\"faq-answer\"><p>APFS is the best choice for a disk used exclusively with Macs. If you share the drive between Mac and PC, ExFAT is compatible with both systems. Avoid FAT32 (4GB limit per file, incompatible with large video files) and NTFS (read-only on Mac without third-party software).<\/p><\/div>\n<\/div>\n\n<div class=\"faq-item\">\n<div class=\"faq-question\"><span>Do proxy files reduce the final quality of the video?<\/span><span class=\"faq-toggle\">+<\/span><\/div>\n<div class=\"faq-answer\"><p>No. Proxy files are only used during editing for preview purposes. The final export automatically uses the original files in full quality. This is a standard technique used in all professional productions, from short films to Hollywood movies.<\/p><\/div>\n<\/div>\n\n<div class=\"faq-item\">\n<div class=\"faq-question\"><span>How can I free up space after an assembly project?<\/span><span class=\"faq-toggle\">+<\/span><\/div>\n<div class=\"faq-answer\"><p>Delete render files (in Final Cut Pro: File \u2192 Delete generated render files), proxy files that are no longer needed, and DaVinci Resolve caches (Playback \u2192 Delete render cache). Archive completed projects on an external disk before deleting them from the working disk. Our guide <a href=\"\/en\/clean-up-mac-free-up-space\/\">cleaning your Mac<\/a> details other methods.<\/p><\/div>\n<\/div>\n\n<div class=\"faq-item\">\n<div class=\"faq-question\"><span>Is an external hard drive enough for video editing?<\/span><span class=\"faq-toggle\">+<\/span><\/div>\n<div class=\"faq-answer\"><p>A mechanical hard disk drive (HDD) may be suitable for simple 1080p editing with light codecs, but it will be a severe bottleneck for 4K. Its data rate of 100-150 MB\/s is insufficient for ProRes 4K streams (around 110 MB\/s per track). An external SSD is highly recommended when working in 4K or with multiple tracks.<\/p><\/div>\n<\/div>\n\n<div class=\"faq-item\">\n<div class=\"faq-question\"><span>Can MAC Repair optimise my Mac for assembly?<\/span><span class=\"faq-toggle\">+<\/span><\/div>\n<div class=\"faq-answer\"><p>Absolutely. With over 15 years' experience since 2010, our team performs SSD and RAM upgrades on compatible models, cleans and optimises macOS, and advises on the best configuration for your video use. All our services are covered by a 180-day guarantee. Take <a href=\"\/en\/book-appointment\/#form\">appointment<\/a> for a personalised diagnosis.<\/p><\/div>\n<\/div>\n\n<\/div>\n\n<div class=\"related-links\">\n<strong>Related articles<\/strong>\n<ul>\n<li><a href=\"\/en\/choose-install-mac-ssd-guide\/\">Mac SSD upgrade: complete guide<\/a><\/li>\n<li><a href=\"\/en\/add-memory-to-mac-guide\/\">Mac RAM upgrade: complete guide by model<\/a><\/li>\n<li><a href=\"\/en\/slow-mac-solutions-optimization\/\">Slow Mac: 12 solutions to boost it<\/a><\/li>\n<li><a href=\"\/en\/overheating-mac-fan\/\">Mac overheating: causes and solutions<\/a><\/li>\n<\/ul>\n<\/div>\n\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Optimiser son Mac pour le montage vid\u00e9o : le guide complet pour des performances maximales Lecture : 14 min | Upgrades et Optimisation En r\u00e9sum\u00e9 : pour optimiser votre Mac pour le montage vid\u00e9o, commencez par lib\u00e9rer de l&rsquo;espace disque (minimum 20 % libre), utilisez un SSD externe rapide pour vos rushs, fermez les applications [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":5024,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_breakdance_hide_in_design_set":false,"_breakdance_tags":"","footnotes":""},"categories":[15],"tags":[298,104,294,295,293,299,234,297,296,265],"class_list":["post-5021","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-upgrades-optimisation","tag-4k-mac","tag-apple-silicon","tag-davinci-resolve","tag-final-cut-pro","tag-montage-video","tag-optimisation-mac","tag-performances-mac","tag-prores","tag-proxy-video","tag-ssd-externe"],"_links":{"self":[{"href":"https:\/\/reparationmac.be\/en\/wp-json\/wp\/v2\/posts\/5021","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/reparationmac.be\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/reparationmac.be\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/reparationmac.be\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/reparationmac.be\/en\/wp-json\/wp\/v2\/comments?post=5021"}],"version-history":[{"count":0,"href":"https:\/\/reparationmac.be\/en\/wp-json\/wp\/v2\/posts\/5021\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/reparationmac.be\/en\/wp-json\/wp\/v2\/media\/5024"}],"wp:attachment":[{"href":"https:\/\/reparationmac.be\/en\/wp-json\/wp\/v2\/media?parent=5021"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/reparationmac.be\/en\/wp-json\/wp\/v2\/categories?post=5021"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/reparationmac.be\/en\/wp-json\/wp\/v2\/tags?post=5021"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}